Showing posts with label Reviews. Show all posts
Showing posts with label Reviews. Show all posts

Saturday, March 8, 2014

Review: My Love From The Star (2014)

You From Another Star (alternate title: My Love From The Stars), that SBS drama featuring a 400+ old resident alien who falls in love with a top actress in the modern era, came to an end like... a few days ago. In a normal situation, I'd get occasional post drama withdrawal symptoms for a show this good. But You From Another Star became somewhat of a different story I moved on from like, snap! Or was that because I'm just busy with work?

Image via SBS.

Ha. Either way, don't get me wrong. I'm not saying the drama isn't any good because it is. I loved it—really really did. Jun Ji Hyun was perfect as Cheon Song Yi and Kim Soo Hyun nailed that 400+ old alien gramps Do Min Joon. However, the ending wasn't much like I expected it would be, considering that it started with a premise that wowed and was followed by an execution that wowed even more. Though it was a good thing that Min Joon's fate to stay or to leave wasn't given away up until the last week, I find the open-ended ending not much of a gratifying resolution to our couple's cosmic rift. I mean, come on. You throw in a wormhole in the last minute of the show to reason out Min Joon going back and forth from home for his happy ending? Sawrey, but it doesn't make sense. I get that it is needed to establish the happy ending our couple should be having, but a deus ex machina is still a deus ex machina. Period. 

So yeah. I wasn't completely satisfied in an intellectual way, but character wise it's another story.

❀ RAVES ❀ »•» 


1) Jun Ji Hyun as Cheon Song Yi. Cheon Song Yi, that audaciously laugh out loud diva who takes on almost anything and anyone with so much gusto to boot, is a totally seriously really unforgettable character. I love how in need of love she is and how vulnerable she can be because of it. I love that despite this, and the many other downfalls she's had, she refuses to back down. She's flawed, but at the same time a strong woman—much stronger than she appears to be. I love how selfish yet selfless she can be, and how she mirrors Min Joon's depth at love in that she'd rather choose to send Min Joon back to his own planet than live with him thinking he'd die the soonest. And I love Jun Ji Hyun for totally owning such a character.


2) Unique series of epilogues. This scene at episode 11 where Min Joon told Song Yi that he never really felt anything for her, but took it back by kissing her in that stopped time, was just... love. Trapping his feelings in that frozen lake and time was candid and heartbreaking it slayed me. Most poignant thing I've seen in television. Ever.


3) Prettiest of stills that can very well pass as a painting. Cinematography is breathtaking in You From Another Star. Be it a scene from the Joseon era or the modern time, it's pretty evident that attention to detail has been observed in the making and filming of this drama. I love the rich and profound colors apparent in each shot, and the tone it exudes as you watch each scene unfold before your eyes is just so gorgeous. I also love how the director matches tinges of emotion currently played in a scene, in that warm combinations are present during happy moments, whereas palettes turn into cool by the time it forebodes into the unknown.

Seriously Kim Soo Hyun, don't you attempt to get a perm like that ever again.
  
4) Lawyer Jang and Do Min Joon. I love Lawyer Jang and his decades old relationship with Min Joon. You know there's so much more than just friendship between them, and that last goodbye they had in the park where they first met spoke for hundreds of emotions built from all those years of caring and looking out for each other. Lawyer Jang even mentioned that him sending Min Joon away feels like him sending a son away. Woot woot. Way to go, Lawyer Jang.


5) Min Joon's Growth. It was amazing to note how Min Joon grew throughout the course of the show. What started out as a layered and stiff grumpypants gradually evolved into someone emotionally naked (okay, maybe not as naked), with his layers and shells peeling off right before us as the show progressed. I specifically love that deep affection he has developed for Song Yi, in that he is able to sacrifice everything—even his identity—just to make sure Song Yi is safe.

6) Best roster of quotes. I am a sucker for clever writing and candid quotes, and You From Another Star has a great roster of those, such as these from Song Yi and Yi-hwa.

Song Yi: "People have a tendency to see somebody in a better place, and rather than wishing themselves to go to that nice place, they pray for the other person to fall down into their own abyss. Sorry, but I won’t go down to the abyss where you live. Hating someone, being jealous, doing hellish things—I won’t do any of that. So don’t try to bring me down to your level.”

Yi-hwa: "Farewells should be made in advance, because if it's truly the end, you can't make farewells. Before I met you, I had no hope for the days I had yet to live. I felt only resignation and resentment. After meeting you, for the first time I felt happy for my future. For the first time, I wanted earnestly to live. I was thankful, and more thankful. I'll not forget. I can't forget. After death, whatever world I come to, I won't forget you."

❀ RANTS ❀ »•»


1) Se Mi's Redemption. Se Mi's redemption, plot wise, was a tad too quick. For someone who had been on the dark side because of love—clinging to a person whom she can never have and abandoning her best friend in the process—being able to realize what kind of person she had become because of her love and doing something about it is a strong point, but the execution fell short and rushed for me. Accepting defeat isn't easy if you have an ego and pride as large as your head, and that's just exactly how Se Mi is. 


2) Min Joon Less Explored. I loved Min Joon and his growth, I loved him for loving Song Yi too, but I probably would have loved him even more had his growth been in full and his character better explored. I mean, with the way things had went for the drama, it somehow looked like Min Joon was actually just living for Song Yi and nada for himself. I know I wanted Min Joon to not leave Song Yi for good, but may he not have really wanted to go home himself? Throwing that option for himself out of the window... Was it really just as easy as that?


3) Deus Ex Machina Ending. Deus ex machina, as a literary device, is when a character or a thing suddenly appears to provide a contrived solution to an apparently insoluble difficulty. The wormhole thing thrown at the last minute of the show is a perfect example of that. And sorry, but no matter how I look at it, it just doesn't make sense.

❀ RULING ❀ »•» 

All in all, You From Another Star is one roller coaster of a drama that will make you laugh, cry, squee, cry, and then laugh again. It was rather overhyped, yes, but is still a cute and entertaining watch that may top the bill for every romcom drama fans out there. And oh, if you're going to watch it for anyone, watch it for Jun Ji Hyun. She's a hands down killer with that Cheon Song Yi role she literally owned You From Another Star—heart and soul.


Edit 04/21/14: I didn't know there was a special episode (or more like, an extended epilogue) for You From Another Star. I just recently found it after searching amid the buzz of GMA airing the drama locally. Upon watching, I came up with this: had SBS aired this special in addition to the final episode, I probably would have glossed over the whole wormhole thing in that the last stills proved that Min Joon was able to stay for good. Which is probably all the fix I ever really needed. Or... maybe not. Deus ex machina is still deus ex machina, after all.


Saturday, December 28, 2013

Comparative Review: Itazura na Kiss Live Action

You know the drill. Girl likes boy, girl confesses, boy rejects. Yet due to some convenient coincidence, the two ends up living together. Romance soon blossoms, splotched by a few kisses here and there, and that's that. Pretty simple premise with no overarching plot drivers. Yet this pretty simple premise to Kaoru Tada's timeless story actually became a big hit garnering not only an anime counterpart, but four Itakiss live action adaptations (the first of which I'm not including in this post).

So mirror mirror on the wall, which is the best kiss of them all?


It Started With A Kiss (2005)
Image via Crunchyroll.

❀ RAVES ❀ »•» 

1) I strongly believe that this adaptation is what nailed the chemistry best. Joe and Ariel are sooo good together! Seriously, I squeed and squeed while watching these two I'm left like an emotional ball of squeeing mess after the show ended.

2) I love how ISWAK tended to delve deeper into the budding romance. Though it was quite long (30 episodes at max) and may have dragged a bit, pacing was never a major problem (for me) since the length of the show was mostly spent in the development of Zhi Shu's feelings for Xiang Qin. Him falling in love for the girl was absolutely the highlight of the show for me.

3) I think Joe Cheng did the best portrayal of Naoki. Jiang Zhi Shu's transformation from an ice cold jerk to someone warmer and cozier is the best part that other adaptations botch, and I love that he isn’t as stoic and though quite subtle, is a tad more lovable and humane. 

4) There’s season two! I love season two.

❀ RANTS ❀ »•» 

1) Yuan Xiang Qin is the most awful Kotoko to have sprung to life. Suffice it to say she’s my least favorite. And the problem here isn’t about Ariel Lin, but how Xiang Qin's character has been written. She’s supposed to be a bubbly burst of sunshine and optimism – a characteristic which led Zhi Shu to fall in love with her – but most of the time Xiang Qin is just an awkwardly over the top doormat I want to reach past the screen and strangle her for making me cringe too much. 

2) Of course I love that there’s a wedding. Who wouldn’t? But... couldn’t they have just gone through it without swapping dresses? I know that Jiang-mama originally wanted a girl thus dressed Zhi Shu in various baby girl dresses when he was a child... but seriously, making him wear a gown on one of the most important events of his life is just weird.

Playful Kiss (2010)
Image via Hancinema.

❀ RAVES ❀ »•» 

1) I must admit, Jung So Min did a pretty decent portrayal as Oh Ha Ni. Compared to Xiang Qin, Ha Ni was delivered as someone dumb yet not as overly irritating. And I love her for that.

2) Baek Eun Jo is the cuuuutest kid brother of all adaptations. Right? Right.


❀ RANTS ❀ »•» 

1) Yes Kim Hyun Joong is hawt, but somehow I just can't find it in my heart to connect with him. He seemed rather... bland. Don't even get me started with his perm.

Itazura na Kiss~Love in Tokyo (2013)
Image via Amazon Japan.

❀ RAVES ❀ »•» 

1) Best portrayal of Kotoko. Ever. Hats off to Honoka Miki! She tends to act under and over the top at times, and that excessive duck face thing isn’t the cutest scene to see on screen either. Yet of all Kotoko portrayals, hers is the most realistic. She’s able to capture that essence of a teenage girl in love and I love that she isn’t written as stupid to not have her own spine. She exuded that bubbly burst of enthusiasm and optimism expected from her, and thus showed more personality and depth, as compared to her regional counterparts.

2) I love Kin-chan! Yamada Yuki was a breath of fresh air from all Ikezawa Kinnosuke adaptations. And though Lee Tae Sung was good doing Bong Joon Gu (compared to Jiro Wang), it is only with Yuki that I've seen that heartfelt connection between Kin-chan and Kotoko, despite of the latter not being able to return the former's feelings. 


3) Irie-papa... He's just soooo cute! 

❀ RANTS ❀ »•» 

1) The drama itself even mentioned that "the probability of a house being hit by a shooting star is one in a million", so why did they even bother with this trick? It would've been better had they stuck to the intensity-two-house-collapse-reason instead, because seriously, when does a shooting star ever hit a house?

❀ RULING ❀ »•» 

All adaptations are good in its own right, but after all this is said and done, my loyalty is unwavered and thus still lies with... ISWAK. I think it was able to delve deeper into the story and the feelings of the characters, and had the best chemistry. Plus, the fact that it continued to tell the story of the leads' lives through a second season had me reeling for it even more. Did I mention I absolutely love the second season? Itakiss though is a really good contender... and had the second season aired prior to this writing, who knows... I might have changed my mind. 




Saturday, September 28, 2013

Review: Two Weeks (2013)

I have always enjoyed Lee Jun Ki in his dramas, but nothing can compare to the lengths he went through in this recently concluded yet criminally underrated drama of his—Two Weeks.

Image via My Drama List.

In this Jun Ki plays Jang Tae San, a man on the run after being framed for a crime he didn't commit, racing against time and people in order to save an eight year-old daughter dying of Leukemia whose only hope of survival is the bone marrow he is supposed to donate.

So, what can I say?

While I never really 'enjoyed-enjoyed' contrived and heavy action thrillers that much, Two Weeks is an entirely different story that I came to love because of one thing: character growth. Actually, make that more.

❀ RAVES ❀ »•»


1) Tae San and His Road to Redemption. Jang Tae San was a character sketched rather grim at the start, a despicable, no-spine-no-courage doormat with little to no care about the future ahead of him. Yet as the series progressed, he began to redeem himself bit by bit by trying so desperately to live for the sake of his child. We see him push all sorts of boundaries for survival—jumping off cliffs and hiding under sand, running, fighting. We see him grow and learn to play his own game against those people after him. Bit by bit he learned to fight back. And eventually, he learned to get even.


But what's more important during that two week run is that he was able to realize and reflect about his life. That two week run gave him the wisdom to make amends with his past and face his inner demons until eventually, he began to grow into a better person. And that is what I absolutely love about the drama, regardless of the open-ended ending. Cause you know, D-day may have been the end of Tae San's many self battle, but he knew (and we knew) that despite this, he hasn't been able to fully step out of his shell of cocoon just yet. His transformation isn't complete yet, so instead of an ending, D-day was just the beginning of a longer journey to redeem himself. Because only when Tae San embarks that path towards self discovery can he be of complete forgiveness to himself, and earn that eight year worth of a family he'd then be deserving to have.


2) Lee Jun Ki. I am constantly in awe at how versatile Jun Ki can get with his acting. Jang Tae san was such a dangerous and difficult character to portray, and it's such a delight to be able to see Jun Ki bring his character to life with a delivery that's so spot on. (See, oppa, you do much much better with restraint.) The lengths he went through to portray Tae San's character realistically was no piece of cake; and while Arang and the Magistrate continues to be my favorite drama of him to date, Two Weeks, on the other hand, is my favorite drama of him as far as acting is concerned.


3) Daddy Daughter Tandem. Seeing Tae San and Soo Jin together was absolutely the highlight of the show for me. It redefined the meaning of unconditional love, in that for the past eight years Tae San was never present in Soo Jin's life. For the past eight years, Soo Jin had no knowledge of her father. Yet when they finally learned about each other's existence, all there was between them was love. For the past eight years they were never present in each other's lives, but they loved each other nonetheless. And that love was what helped Tae San to move forward during that two-week run, no matter how difficult it was. 


4) Subtle Romance. Can I just say that while no romance was thoroughly explored in this drama, I loved loved loved that flashback about Tae San eating loads and loads of shrimps for In Hye even if he knew it was bad for him? I know it wasn't healthy, but still it was rather cute.

❀ RANTS ❀ »•»


1) Tae San Being Treated Like Crap.
 Has it not ever crossed the police's mind that Tae San might have been framed? No matter what he says, he remained a criminal in their eyes, kept being treated as crap. I get that this was a needed kick to get the show move onto the direction it should be headed to, but I don't think the police are really this inept and incompetent to accept everything at face value.

❀ RULING ❀ »•»

Despite the rants and a few logic fails, Two Weeks continues to be a tightly written drama with marvelous execution. It was a gripping journey of emotional roller coaster, and I enjoyed the ride.


Saturday, August 3, 2013

Review: I Hear Your Voice (2013)

Image via SBS.

Nine year old Park Su-ha (Lee Jong-suk) lost his father in a make-believe car accident conspired by Min Joon Gook to avenge the untimely death of his wife. Little Su-ha might have lost his life too, if not for Jang Hye Sung (Lee Bo-young) who, coincidentally, caught Min in the act that same night. Having been urged by her conscience to testify against evil, Hye Sung mustered all of her courage and opened the door to the court, thus putting an end to Min's not guilty plea.
Su-ha: "Today, I saw another one who looked like you. I haven't forgotten you. When I see you again, I will protect you. Where are you now?"

Cut to: Hye Sung at the public defender's office. Growing as a bold, sassy and smart ass woman, she swept away not only Su-ha nor several helpless cases in court, but also the people who have watched her in this year's hit drama: I Hear Your Voice. A nail biting, edge gripping 18-episode romance/comedy/fantasy series broadcasted by SBS from June 5th to August 1st; I Hear Your Voice follows the lives of Hye Sung, Su-ha and Min Joon Gook, and their 11 year story of love, deception, hatred and forgiveness.

THOUGHTS...

More than writing raves and rants for this drama, this'll probably be just me going over one point to another... since I have tons and tons of thoughts about it but don't know where to begin and how to concisely wrap it up.

1) I Hear Your Voice is a beautifully crafted journey, so much so that it reached the 20% mark of viewership ratings making it the first non-daily weekday drama to have achieved such feat since 2013 rolled. Yes it had flaws, and the legal aspect of the show wasn't its best foot either, but it had perfect execution. Even more so it had that ability to swerve expectations and weave the unknown surely within the plot. It deviates itself from the most typical K-drama norms—no evil bitchy second leads, no noble idiocies, no dominance over its fantasy element nor unnecessary makjang wildcards. I love that Su-ha's mind reading ability didn't go in the way of being the focus of the show, and was instead effectively blended within very worldly situations. 

2) Writer Park Hye-run sure knows how to tug hearts in excruciating degrees. Everytime I watch I Hear Your Voice I get a whole bunch of different emotions all at the same time. I laugh at the cute, bite nails at the building up tension, swoon at the romance, and cry rivers at the sad. It's a whole new spectrum of an emotional roller coaster, and I enjoyed the ride.


3) It has the richest leads and ensemble of characters. I love love love Jang Hye Sung. She's my favorite heroine to date—feisty and smart ass yet has a heart. I love her sometimes contradicting personalities: strong but at times weak, loves but at times denies, acts like a girl and at the same time, a grown woman. I love that she's flawed, and that she eventually grew throughout the course of the show. Most of all, I love how she learned without losing her spark, thus never outgrowing that trademark of personality she had since the beginning.  

4) I love that the extension had been milked well within the plot to utilize its characters. I have always feared extensions—most of the time it is what destroys a good show. I have been dreading that I Hear Your Voice might then become 'a victim of its own success' and it's reassuring to find out that writer Park Hye-run does know how to go where she is heading to no matter the sway. The pacing may have dropped a bit due to lengthening, but I really don't mind since it did well in character development. The extension was a good way to showcase Do Yeon's character depth, and the cute was an added bonus.


5) 
Acting was superb, and Lee Bo-young totally nailed it. 
I love how she portrayed Hye Sung with all that charisma and bravado, and adore that scene at the revolving door where she cried rivers after Min Joon Gook got acquitted. She realistically portrayed how Hye Sung was written and acts with so much heart  that I no longer see Lee Bo-young, just... Jang Hye Sung. And yes, Lee Jong-suk can act well enough too; he did pretty well playing Su-ha. It's a bonus that he's handsome. But Lee Bo-young, still... I couldn't imagine I Hear Your Voice any better without her.


6) I have always been a fan of figurative writings and symbols, and the use of revolving doors to trap the most candid thoughts and emotions in this show had me right *there*. Hye Sung spinned through it to gather her courage and give birth to a brainchild. Lawyer Shin tried experiencing it to rid himself off of doubt and fear. Kwan Woo trapped Do Yeon in it to make her realize that the law can have a heart just as much as it can be cold. Ah, revolving doors...

7) I am a sucker for quotes. And clever wordplay. How Writer Park ended Episode 16 with the phrase: "July 26, 2013, 3:10 in the afternoon. She was kidnapped by Min Joon-gook. And two hours and thirty minutes later, our story of eleven years came to an end." was intelligently tricky. And how she had Hye Sung get even with Judge Seo using those same words he said to her outside the court was the most awesome comeback I have seen in quite a while. The fact that I Hear Your Voice has several heartfelt quotes is an added cake, making me such a happy camper. 

8) Keen attention to even the smallest detail is a form of consistency for me, and consistency makes a good show. It has been present between Hye Sung and Su-ha when they exchanged the use of a spoon over a spatula as well as opening bottles for each other. It was also present during Hye Sung and Judge Seo's face off. I Hear Your Voice is good at that, using previous details to reverse roles and strengthen relationship.

9) Relationships, for the most part, is the heart of this drama. I'm glad to see an awesome mom in Hye Sung's, which for once differ from those mothers commonly present in a drama. She was one of a kind. I love how she cared for Hye Sung, and that dance she did in front of the chicken shop when Hye Sung finally became a public defender made me love her even more. I also love Hye Sung and Su-ha's relationship. Their love for each other is strong enough to endure, that even if they happen to part ways, Su-ha can still find her... find her, and fall for her over and over and over again.  
Su-ha: "I know why you’re anxious, and I know why you’re always preparing for a time without me. But even if that time comes, I won’t worry. Even when ten years had passed, I recognized you. When I lost my memories, when I had erased you, I came to love you again. Even if ten more years pass, if I lose my memories again, if that time you’re worried about comes… I’ll find you… and I’ll love you again."

10) I Hear Your Voice is truly a rare gem that managed to hold on well to its footing. It started strong and ended just as strong. It tied loose ends and wrapped up conflicts, thus arriving at a well-earned ending—one that doesn't feel convoluted nor rushed. I love Su-ha's last minute narration and how he connected everyone to his growth, all the while learning how important it is to listen to other people, trust their stories, and fight for the truth without just giving in or giving up.


Sunday, January 6, 2013

Review: Queen In Hyun's Man (2012)

Year 1694, 20th year of King Suk-jong's reign. Rumor has it that Queen In Hyun has a lover. It was never covered in dramas though, and being such a minor incident, is usually ignored. Even the annals have but one mention of it. However, an interesting additional record was found…

Memories. Our memories.
Losing them is the final price I must pay.
I do not know what will happen now.
Will we forget each other, or will we live unable to forget, forever tormented?
If I have a final wish… it is to remember you.
In a life without aims, to not even have those memories would be hell.
And you... as for you...
Even if you should happen to read this letter someday far in the future, I pray that you will not be able to know whom it is for.
...a letter, in which a government official's deep love for a nameless woman and the sadness at their separation is evident. Considering the circumstances at the time and a rumor that the official regularly showed up at the then-deposed Queen's residence to offer close protection, scholars speculated that the nameless woman is likely to be Queen In Hyun, making the official become presently known as...

Queen In Hyun's Man.

Image via Tving.

Queen In Hyun's Man (international title: Queen and I) is a 16-episode romance-comedy-fantasy-historical drama broadcast by cable channel tVN earlier last year. It is a story of a chance encounter that started at a gap in time  when Joseon Dynasty scholar Kim Boong-do (Ji Hyun Woo) time travelled 300 years into the future; after getting nearly killed in the midst of fighting against assassins hired by the Soron Faction. Boong-do is a loyal supporter of the reinstatement of Queen In Hyun; who has been deposed from her position due to conspiracy by royal concubine Lady Jang. (Dong Yi, anyone?) There he meets Choi Hee-jin (Yoo In Na), a no name actress  who landed a big break after being casted as the titular role in the upcoming drama "New Jang Hee-bin". Hee-jin plays Queen In Hyun, the same Queen Boong-do is trying to save 300 years back. As Boong-do travelled time to and fro to gather necessary historical knowledge in saving the Queen in the past, he eventually falls in love with the Queen in the present, making him literally and figuratively, the Queen's man.


Image via Naver Blog.

Brilliant, poignant writing. This is the perfection that Queen In Hyun's Man is. In an age where time travel dramas are cliché, to be able to make both the past and present timeline work without feeling forced is  sharp and clever. (Almost) Everything in this drama is well constructed and thought of, living up to its idea of cause and effect where everything is connected, linked and interwoven together. No element was wasted, despite the existence of two varying worlds, as even the smallest detail was paid much attention to. This is all the more effective in pulling off  what was already created as a beautiful circular thematic plot for the drama. Rare as it is, it is also one of the strong points Queen In Hyun's Man has.

Yet a story wouldn't be effective and memorable without characters that deliver. As Queen In Hyun's Man's characters are well written (e.g. Kim Boong-do, the absolutely perfect man whom writer Song referred to as the real fantasy of the drama, and whom every woman wants immediately cloned), having them well portrayed makes up for an all the more better experience. Both In Na and Hyun Woo was able to nail being the characters they play. Their chemistry is evident in almost all scenes they are together, especially through the latter part of the show. And as Queen In Hyun's Man stays faithful even to the smallest of details, character consistency is present. There didn't seem too much need for Na Jung though as aside from playing Hee-jin's rival for their upcoming drama, she pretty much didn't do anything.

And consistency... Queen In Hyun's Man continued to be faithfully consistent throughout that despite not having such grand cinematography (referring to Arang and the Magistrate), it still is a win. It also is creative in portraying that scene in the palace where Hee-jin is shooting the documentary; with Boong-do, at the same time, being dragged for interrogation. Making two totally different timelines exist in one place, identified only by color, was gorgeous. Yet tragic. And heartbreaking.


Having said all these, Queen In Hyun's Man has really set the bar for all other dramas out there, especially time travelling ones. From looks, romance, brains or substance... the show had them all—characteristics that made it stand out despite a minor (yet totally important) flaw. All technicalities aside though, the real fantasy of this drama  is not the talisman nor the time-slip, but the absolutely perfect man named Kim Boong-do. That, and his brain. Plus his smile. Looks. Height. Brain. Collectedness. Brain. Composure. Brain. Strength. Brain...

All. That. Brainnnnn.

THOUGHTS...

More than the visuals, writing and metaphor are what sells me in a show spot on. I can go on and on about how the ending worked (and didn't work) for me...



Yet these cannot outnumber the effects the clever narrative circles Queen In Hyun's Man was able to pull. Like how Boong-do asked Hee-jin, "Am I dreaming or am I dead?" during their first encounter; and how Hee-jin reacted, "You're alive. You're real." upon seeing Boong-do arrive from his final time-slip. Throughout the drama, how the writers made Boong-do travel from one timeline to another in the expense of his life is also a strong and refreshing plot point, especially that the agent to travel beyond each world is fairly within his control.

I also find it really clever that the writers were able to create a final conflict without making it too draggy for the show.



And Kim Boong-do!!! He really is the show's catch. ;) Kim Boong-do is written in such a way (and portrayed by Ji Hyun Woo in such a way) that would make every woman who's watched the show swoon. He's smart and analytical that he was able to figure out things in the modern world even on his own. He's a scholar, yet he can fight. And is fairly good at that. He's got a witty sense of humor, is charismatic, adorable, and sweetly innocent. The list goes on.


Ah, Queen In Hyun's Man... One gem of a drama this is. ❤


Sunday, December 23, 2012

Review: Time Between Dog and Wolf (2007)

After trying and trying, I finally got to watch the widely popular Time Between Dog and Wolf—that 2007 drama about a point in time when dusk becomes night as the sun slowly wanes between the mountain ridges. This is the time when day and night exist together. This is the time when objects become dim to sight, and from far away, the lingering approach of a silhouette can be seen. Friend or foe. Or someone who protects. Or just a dangerous wolf. This is the moment when both the righteous and errant paths all become crimson. This is the time when friend nor foe are indistinguishable, and it is in which the epic story about the defiance, surrender, love, and friendship of young agents takes place. (actual *confusing* promotional synopsis)

Image via MBC.

Lee Jun Ki plays Lee Soo Hyun in this drama, a man seeking revenge for the murder of his parents—a father who died in a mission just as he was born, and a mother, whose murder he witnessed as a child. Having been orphaned at such an early age, he has been adopted by Kang Joong Ho, a friend and colleague of his late father. Living well and happy with the Kangs, he later joins the NIS as a member of Overseas Team One. However, while on a mission to plant a listening device in a meeting held between criminal group Cheongbang and another group from Korea whom NIS is keeping an eye on, Soo Hyun's nightmares resurfaced from the recesses of his mind as he came face to face with the person who ruined his life. Burned with the overwhelming feeling of revenge, he got the mission screwed... and got himself withdrawn from the service.

But...

Soo Hyun isn't done with Cheongbang just yet.



Oh, the Jun Ki eye candy.

I swear, this oppa is born to do action. Not just because he looks good in one, but also because he is able to pull one really really well. Those spinning kicks? Ha. My asdfghjkl~!!!


Okay, so that wasn't much of a kick...

But seriously. I can watch him fight all day and not even get the least bored. Or I can watch him stand in a corner all day with those suit on and... Hmmm.


More than the eye candy though, Jun Ki's best foot in this drama is his portrayal of Soo Hyun/Kay. I love how he played that multiple-of-a-persona character, bringing to life the coolest images of him I have had in my mind since. What hasn't been brought up that effectively in Iljimae, he was able to nail here: from that tortured soul to the cocky shadow and the excellent blend of the two, Jun Ki was able to effectively pull all characters off. He was such a joy to watch, having been able to bring up such personalities with so much depth. I specifically loved that bad boy image he had portrayed for Kay—fearless, unreserved, bold... cold and calculating and just downright cocky. And cool. So. dang. cool.

RANTS:

Despite the Jun Ki eye candy and all the other raves and feels for this drama, I am one of those very few people who have 'enjoyed-enjoyed' it plot-wise or otherwise, probably because of either of these reasons:

1) That NIS Director/Chief  was such a asdfghjkl. The first time I got to watch Time Between Dog and Wolf, I dropped the show after four episodes because of this inhuman jerk (that, plus some other reasons). I despise his existence so much I want to strangle the hell out of him every time he shows up on screen. Heh. But if I did that, I guess there wouldn't be any show for us to watch (since he was the one to send Soo Hyun away as a narc). But seriously, he must be a pretty good actor to be able to annoy a viewer like that.

2) I don't like Nam Sang-mi. Or was it Seo Ji Woo? Regardless, I find her annoying. I haven't really felt much from her (probably because I was so annoyed) and I really thought she lacked chemistry with Jun Ki. Or maybe it was the other way around, with Soo Hyun being such a complicated character and all. Or maybe it was just me. I don't know. But what I do know is this: there is something about her in this drama that just doesn't work for me.

Either way, Time Between Dog and Wolf is still a good and recommendable watch... especially that it is a top notch Lee Jun Ki feast.