Showing posts with label K-Movie Reviews. Show all posts
Showing posts with label K-Movie Reviews. Show all posts

Saturday, December 17, 2016

Review: No Breathing (2014)

I watched this for Seo In Guk. Sorry not sorry. ðŸĪŠ

Image via Naver Movie.

A story of sports, rivalry, friendship and self rediscovery: this is what No Breathing is. It is a movie that follows the life of Won-il, a gifted swimmer yet reckless high schooler who now dislikes water due to his father's (a national athlete) death. However, as he got expelled at school after getting into a fight with his classmates, he suddenly finds himself thrown in a sports high school where he meets an old rival named Woo-sang, a national athlete stripped off of his title due to displays of violence during the Olympics selection. With his own personal problems and a rival in tow, can Won-il be able to surpass Woo-sang and stand proud in the world of swimming again?


I've said this before and I'll say it again: I watched this for Seo In Guk. I was backtracking a lot of his previous works that I have not been able to see yet, and this happens to be one of them. Not that the movie's bad. It was okay, maybe a little bit less than what I expected it would be, but entertaining nonetheless.

Point one, the movie was simple. It takes that safe, tried and tested route, which was probably why it wasn't that memorable for me (except for Won-il. but of course. lol). Second, the plot was a little bit so-so. Like... There's something missing kind of so-so? I don't know. Both Seo In Guk and Lee Jong Suk had great acting skills and comedic timing, and I felt that a lot of potential and plot material from casting them together got wasted by not giving them more opportunities to talk (as in talk talk... if you get what I mean), bond or even do a more engaging bromance than what was already shown. Upping the rivalry a bit more and throwing in additional competitions for the two leads could probably have sufficed for that though, as the last 15 minutes of the movie seemed to be its highest peaks for me. 


On a lighter note, I did love the movie's idea about hard work and talent. I specifically love that scene where Won-il got mad at a classmate for bullying a friend which resulted to the latter's disqualification in the competition. And yeah, Seo In Guk's adorable goofiness as Won-il was a stealer, too. Those mukbang scenes were gold, and watching Seo In Guk eat soooo well in the movie makes me as hungry as him all the time. 😂 Add to that the fact that they filmed some parts of the movie in Davao? ðŸ˜Ŋ Had I known In Guk around that time, I probably would have sneaked to the filming location like crazy. Lol.

This is the Philippines, people!

But then again... There are still some things that you just can't gloss over, even with a shirtless Seo In Guk on screen. Point one, the movie had a (bad) habit of abruptly cutting a scene towards something else (say scenes that are new or something very random) and I just wished they went a little easy on that. Say for instance, there was one part of the scene in Davao where we see Won-il sulking by the beach. Woo-sang, who was out for a walk, saw Won-il all alone. He then takes his headphones off, and... tada! It was cut to a scene in their school's entrance. What a waste. That could have potentially been used for connecting deeper to the two main leads, but was instead cut short. No talking. No bonding. No bromance. Nada nada nada. 


Two, Yuri. Sorry, but I really find her a little bit off. Yes she was pretty, but apart from the eye candy, it seems that she was placed in the movie only as a love interest. Nope, nothing more. That part where she was aiming to be an aspiring musician? In a world full of sports? I think that was rather... random. Ha. Don't get me wrong, her delivery wasn't that bad. Sure she sometimes felt a little flat, but I think she really did her best to portray what has been asked of her. It's just that... her character doesn't seem to be of purpose at all  Should we ever consider removing that "romance" tag, I bet the movie would do fine as it already is, even without her in it.


Yet taken in as a whole, No Breathing sure is a funny and light hearted movie. Overall it wasn't bad, but wasn't really exceptional either. It was an okay, even good of a watch, and if you are in for fan service and something not that overarching, go ahead and give No Breathing a try.


Friday, November 30, 2012

Review: Virgin Snow (2007)

Promise. How important is a promise? Wish. Have you ever tried wishing for something? Have you ever experienced loving someone wholeheartedly for the very first time... waiting and hoping you wouldn't end up being alone?

Image via Lee Joon Gi Official Website.

A 2007 movie collaborated by Japan and Korean cinema, Virgin Snow depicts a first love's tale between Min (Lee Jun Ki), a korean exchange student who moved to Japan with his potter/university professor father, and Nanae, a beautiful japanese girl and an aspiring painter.

Their story begins when Min fell in love with Nanae at first sight after meeting her at a local shrine. Soon thereafter, Min learns that Nanae is studying at the same school he is currently attending. He befriends her, courted her despite the language barriers, until eventually, they both fall in love. However, when Min suddenly flies back to Korea to look after his sick grandmother, this love had been lost. When Min came back, Nanae is nowhere to be found, which left him devastated and heartbroken.


Virgin Snow, like any other contemporary korean/japanese romance movie, showcases the typical story of first love — its joys, as well as its pains. It isn't as grand as others are as far as story telling goes, but is a tad different from its counterparts in that at a time where tragic love stories are common in korean and japanese cinema, it deviates from the norm by not involving elements such as a lover who's sick or dying as a central theme.

Character-wise, I love Lee Jun Ki as Min. It wasn't as good a portrayal as his other leading roles, but nevertheless, he was able to effectively deliver that contrast between a man in love and a man anguished over love that was lost. I can't say that much about Aoi Miyazaki though. She's a good actress, no doubt about that, and I really really loved her in Tada Kimi wo Aishiteru. However, there was something about her being Nanae that's taking time to get used to, which made her seem rather... plain. I don't know. Maybe it was just me, but at some points, I seriously thought she looked a bit off with Jun Ki.

That aside, Virgin Snow is a good watch that'll definitely take you down memory lane. It'll make you reminisce about your very own first love, and all the while will make you realize how important it is to hold on to love's promise, believe in the wishes it can grant the heart, and not give up waiting... or hoping... because love is never gone if you just know how to trust.


Tuesday, April 26, 2011

Review: Marathon (2005)

“We dream to give ourselves hope. To stop dreaming - well, that’s like saying you can never change your fate.” 
― Amy Tan, The Hundred Secret Senses


Meet Cho-won, a 20-year old mentally handicapped man unable to fully relay his emotions or understand those of the people around him. A man who is incapable of communicating with others, often pitied or ridiculed, who only finds solace in either zebras or choco pies or running... a liberty that keeps him occupied and less different than other people.

Being a disorder that affects the family in so many ways, autism is a theme that is difficult to depict inside and out of the screen. Jeong Yun-Cheol's 2005 movie "Marathon" though was successfully able to bring to life a mother's anguish over having an autistic son, a brother who feels rather abandoned and neglected just because, and a father, who is absent all through out these struggles.

Image via Naver Movie.

Based from the real life story of autistic athlete Bae Hyeong-jin, Marathon accounts the hardships Cho-won encounters as a special child, and how he successfully ran through these hurdles towards the realization of a dream he didn't actually mean to or want to fulfill. The film, as a whole, is a heart tugger in all aspects — it pulls your heart in ways unexpected it would be hard not to connect with Cho-won. Add to that the ever so realistic portrayal of Jo Seung Woo, it dishes out a successful box-office hit that captured the truth behind people with autism, their families, and how the world sees them as a whole.

It is rare to come across a movie as sentimentally inspiring as Marathon. Had it not been for Jo Seung Woo, I wouldn't have encountered such a gem that touches the most difficult and delicate issues of today — autism. His portrayal as Cho-won was as authentic as humanly possible. His gestures, facial expressions, even his voice! I was left totally astounded after watching him, all the while contemplating how absolutely talented he was for someone quite young at that time. No wonder he brought home that best actor award.


Overall, Marathon is a solidly executed film that captures the poignancy of human emotions and the immense strength of the human spirit. Definitely a recommended watch.

Monday, April 25, 2011

Review: Love Phobia (2006)

What lengths can you go through for someone you love? Can you wait for someone for so long even without the assurance of ever coming back?

Image via Naver Movie.

A 2006 movie directed by Kang Ji-eun, Love Phobia is a bittersweet romance that revolves around a girl named Lee Ari who claims that she is "cursed", telling stories about people experiencing bad things upon touching her, saying things that are fairy tale like and that sometimes doesn't make sense. It also revolves around Cha Jo-kang, a gullible man who didn't mind if Ari was telling the truth or not, because he believed in her anyway. A man foolish enough to wait for her for about half his lifetime, because he loved her anyway. 


Just like any other korean melodrama out there,  Love Phobia follows the tried and tested path of detailing the romance between a man and a girl who is about to die. Cliche, I know. Yet despite being cliche, what sets it apart (for me) among other melodramas out there is it being beautiful in its simplicity. It isn't as cute or dramatic as other movies are, but still pretty much delivers.

I also love how clever it was in its use of aliens and myths as a means for Ari to run away from that harsh reality of having AIDS. Life is not always rainbows and butterflies, and at these lowest points in time, there's got to be something to hold on to in order to move on with life — a point which the movie was able to lay out pretty well. But I've got to say that somehow, I didn't like how the movie went literally mystic at the very end. I get that narratively speaking it was a pretty clever trick that goes well to the theme of running away from reality, in that Jo-kang would rather think that Ari was actually fetched by aliens than cope with the fact that she died, because that way, he'd be able to move on easier with his life. It was clever, really, but seeing it visually for the first take is sort of disturbing and somehow upsets the tone of the movie as a whole.

That aside, everything else was a pretty good watch. Jo Seung Woo was stellar as always, and I love how he played Jo-kang with such subtlety and heart that radiates through the screen. And his handsome smile? That was a stealer. Kang Hye-jung was a good actress too, though I wasn't able to invest in her character so well as I was pretty much distracted into thinking which Filipina actress does she resemble most. I came up with Jennylyn Mercado combined with Donna Cruz, but heck, I'm still not sure. Anyway, I also loved that kid actress playing little Ari, 'cause aside from being very cute, she was just so full of life... which is ironic, since she's supposed to be sick. Heh.


All in all, Love Phobia is a complete roller coaster ride that will make you laugh, cringe, cry, and believe in love so poignant and pure. Worth one afternoon rest day break.

Jo-Kang: "Love is remembrance... Sometimes, I open up my chest of memories, hoping to keep them locked in my heart forever."

Friday, October 22, 2010

Review: The Classic (2003)

Being in the BPO industry gives you all the free time in the world when you're off work. Yet too much free time can sometimes be a lot to handle you'd probably start wondering if it was actually a good thing or a bad thing. Then, somewhere in between, The Classic happened. Verdict? It was a good thing.

Image via Naver Movie.

The Classic is a 2003 South Korean film that depicts the story of two starcrossed lovers in the 60s (Son Ye-jin, Jo Seung Woo) and its parallelism to another story of love from the present (Son Ye-jin, Jo In-sung). It's a story narrating constant shift of events from then and now, until, eventually, everything came full circle.

Ji-hye (Son Ye-jin) stumbled across a box one day while in the process of cleaning her room. Stopping a moment to check what's inside, there she found various love letters from her late father. What piqued her interest though are similar kinds of letters from a man named Joon-ha (Jo Seung Woo), whom she barely know. Thus begins the flashbacks about the heartbreaking relationship of Joon-ha and Joo-hee (her mother) and how they hadn't ended up being together after her mother had been arranged to marry his father. These flashbacks, coincidentally, are intertwined with her own affairs of the heart regarding Sang-min (Jo In-sung), a man whom her best friend likes.


Poignant and beautifully written, The Classic is one of those movies that will forever hold a special place in my heart. I love how it was presented as two different stories that parallel each other through one thing: unchanging feelings of love. And I love that at the end, Joon-ha and Joo-hee's story has been completed when Ji-hye and Sang-min eventually fell in love—a fulfilled aspiration that their parents couldn't have.


The Classic's strongest point (for me), was the story of Joon-ha and Joo-hee in the past. Not only does it have the movie's most emotional weight, but also has the best performance and delivery from Son Ye-jin and Jo Seung Woo. That man totally stole the film. Yet that wasn't enough, because he totally stole my heart thereafter.

Aside from the Jo Seung Woo eye candy, I also love how director Kwak Jae-yong was able to showcase vast differences of Korea then to Korea now through the use of vivid landscapes and amazing panoramas—such as Joon-ha and Jo-hee's walk on the wooden bridge accompanied by fireflies so bright, giving off an even better cinematic feel for the movie as a whole.


Truly one classic movie that will not only make you fall in love but will also make you believe in love over and over again, The Classic is one movie very worth your effort and time. Recommended watch.